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- By Nicole Jackson
- 16 Jul 2026
A great deal has been written about the practice of running, a healing activity with ability for emotional liberation. In the realm of professional sports, however, the stress of competition can make people lose sight of this primary objective. Transposed from the same-named comic, Kenji Iwaisawa’s spellbinding anime looks beyond trophies and medals to examine the core impetus that fuels an athlete’s ambition.
100 Meters follows Togashi and Komiya, youth companions whose personal journeys separate when they enter elite competition. Once the quickest elementary student in Japan, Togashi helps the more uncertain Komiya with the essentials. As the pair progress into their teens and their 20s, Komiya steadily accelerates up the ranking of elite competitors, while Togashi is trapped in a decline; both battle fears and doubts. Encompassing more than 15 years, the tale tracks their psychological barriers, exposing the difficulties of an sports professional’s journey, trapped in a cycle of media attention, performance expectations and endorsement requirements.
Perhaps it’s down to the original work, but the film’s response to these intricate issues is rather superficial; repeatedly, a protagonist’s uncertainties simply disappear after a prolonged talk with a peer or a senior. But what the film falls short in story nuance and rhythm, it redeems itself with in stunning imagery. Employing trace-over animation, in which cartooning is drawn atop real-life video, the feature generates stunningly detailed sprinting scenes. The athletic effort of a dash is on full display, and the suffering and elation of contests are engraved on the characters’ bodies.
One especially significant race finishes in the rain, with torrents of monochrome brushwork that immerse the screen. More than any dialogue, these flourishes of artistic excellence encapsulate the quasi-enlightened elation the film aims to inspire.
100 Meters is released in Britain from November 16.
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