McLaren Attributes Crash to Opposing Racers for Piastri-Norris Collision
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- By Nicole Jackson
- 14 Mar 2026
Lesia Danylenko beamed with pride as she displayed her freshly fitted front door. Volunteers had playfully nicknamed its ornate transom window the “crescent roll”, a lighthearted tribute to its bowed shape. “I think it’s more of a peafowl,” she stated, appreciating its twig-detailed ornamentation. The renovation effort at one of Kyiv’s turn-of-the-century art nouveau houses was supported by residents, who marked the occasion with a couple of impromptu pavement parties.
It was also an demonstration of defiance against a foreign power, she elaborated: “We are trying to live like everyday people regardless of the war. It’s about shaping our life in the optimal way. We’re not afraid of remaining in our country. I could have left, moving away to Italy. On the contrary, I’m here. The new entrance symbolizes our dedication to our homeland.”
“We are trying to live like everyday people in spite of the war. It’s about arranging our life in the optimal way.”
Preserving Kyiv’s architectural heritage may appear paradoxical at a moment when aerial assaults routinely fall the capital, resulting in death and destruction. Since the beginning of the current year, bombing campaigns have been significantly intensified. After each strike, workers seal blown-out windows with plywood and try, where possible, to salvage residential buildings.
Despite the violence, a collective of activists has been working to conserve the city’s crumbling mansions, built in a whimsical style known as Ukrainian modernism. Danylenko’s house is in the downtown Shevchenkivskyi district. It was erected in 1906 and was initially the home of a affluent fur dealer. Its outer walls is embellished with horse chestnut leaves and intricate camomile flowers.
“They are symbols of Kyiv. These properties are uncommon in the present day,” Danylenko stated. The building was designed by a designer of Austrian-German origin. Several other buildings close by exhibit comparable art nouveau characteristics, including an irregular shape – with a pointed turret on one side and a small tower on the other. One beloved house in the area boasts two unhappy white stucco cats, as well as owls, masks and a demonic figure.
But military aggression is only one threat. Preservation campaigners say they face profit-driven developers who raze historically significant buildings, corrupt officials and a administrative body indifferent or opposed to the city’s rich architectural history. The bitter winter climate presents another challenge.
“Kyiv is a city where capital prevails. We don’t have real political will to save our heritage,” said Dmytro Perov, an activist. He claimed the city’s mayor was allied with many of the developers who bulldoze important houses. Perov added that the vision for the capital is reminiscent of a bygone era. The mayor has refuted these claims, attributing them from political rivals.
Perov said many of the community-oriented activists who once defended older properties were now fighting on the frontline or had been lost. The ongoing conflict meant that the entire society was facing economic hardship, he added, including those in the legal system who inexplicably ruled in favour of dubious new-build schemes. “The longer this continues the more we see deterioration of our society and public institutions,” he argued.
One glaring demolition site is in the riverside Podil neighbourhood. The street was home to classical 19th-century houses. A developer who obtained the plot had committed to preserve its attractive brick facade. Shortly following the onset of major hostilities, diggers tore it down. Recently, a crane prepared foundations for a new retail and office development, monitored by a surly security guard.
Anatolii Pohorily, a heritage supporter, said there was little optimism for the remaining coloured houses on the site. Sometimes developers destroyed old properties while asserting they were doing “scientific study”, he said. A previous regime also caused immense damage on the capital, redesigning its central boulevard after the second world war so it could allow for official processions.
One of Kyiv’s most prominent defenders of historic buildings, a heritage expert, was killed in 2022 while fighting in a contested area. His colleague Nelli Chudna said she and other volunteers were continuing his important preservation work. There were initially 3,500 stone mansions in Kyiv, many constructed for the city’s wealthy entrepreneurs. Only 80 of their authentic doors survived, she said.
“It was not foreign rockets that destroyed them. It was us,” she admitted sadly. “The war could continue for another 20 years. If we neglect architecture now not a thing will be left,” she added. Chudna recently helped to restore a characterful vine-clad house built in 1910, which serves as the headquarters of her cultural organization and doubles as a film set and museum. The property has a new vermilion portal and authentic railings; inside is a vintage sanitary facility and antique mirrors.
“The war could continue for another 20 years. If we fail to protect architecture now not a thing will be left.”
The building’s occupant, artist Yurii Pikul, described his home as “very cool and a little bit cold”. Why do many citizens not cherish the past? “Regrettably they lack education and taste. It’s all about business. We are striving as a country to go to the west. But we are still some distance away from such cultural awareness,” he said. Outdated ways of thinking persisted, with people unwilling to take personal responsibility for their architectural setting, he added.
Some buildings are crumbling because of institutional abandonment. Chudna pointed to a once-magical villa hidden behind a modern hospital. Its roof had fallen; pigeons made their home among its smashed windows; refuse lay under a fairytale tower. “Frequently we are unsuccessful,” she acknowledged. “Restoration is a coping mechanism for us. We are trying to save all this past and splendour.”
In the face of war and commercial interests, these activists continue their work, one facade at a time, stating that to preserve a city’s identity, you must first cherish its history.
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